2026
This work responds to Poem 135, one of over 200 poems hand-carved into the jade-green walls of Angel Island's detention barracks, believed to have been created by community agreement among immigrants held between 1910 and 1940. Hundreds of thousands passed through across nationalities, including Chinese, Japanese, South Asian, Russian, Jewish, Korean, Filipino, and Mexican, held in restless limbo under a cascade of discriminatory U.S. legislation, approximately 70% detained for months or years.
The island sits within walking distance of some of the wealthiest zip codes in California and the country, their waterfront estates looking out at Angel Island as scenic backdrop, confinement and luxury sharing the same water, the same view, the same air.
Painted on Dongba handmade paper from Lijiang, Yunnan, a region from which many immigrants originated, made by the indigenous Naxi people for over a millennium to preserve sacred texts, the medium becomes material to the work: what does it mean to paint on a surface made to hold memory, to work with pigments drawn from the same land these immigrants crossed toward?
Listen to the poem in Cantonese ⏯
木屋拘留幾十天
所囚墨例致牽連
可惜英雄無用武
只聽音來策祖鞭
從今遠別此樓中
各位鄉君眾歡同
莫道其間皆西式
設成玉砌變如籠
Detained in this wooden house for several tens of days,
It is all because of the Mexican exclusion law that implicates me.
It's a pity heroes have no way of exercising their prowess.
I can only await the word so that I can snap Zu's whip.
From now on, I am departing far from this building.
All of my fellow villagers are rejoicing with me.
Don't say that everything within is Western style.
Even if it is built of jade, it has turned into a cage.
Translations:
Lai, H. Mark, Genny Lim, and Judy Yung, eds. Island: Poetry and History of Chinese Immigrants on Angel Island, 1910-1940. Second edition. Seattle: University of Washington Press, 2014.